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Mozart: Krönungsmesse, K 317; Vesperae solennes de confessore, K 339 (1993)
by Alastair Ross (organ), Catherine Robbin (contralto), Emma Kirkby (soprano), John Mark Ainsley (tenor), Michael George (bass), Winchester Cathedral Choir (choir, chorus), Winchester College Quiristers (choir, chorus), Academy of Ancient Music
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Purcell: Dioclesian (Complete); Masque from Timon of Athens (1995)
by Catherine Pierard (soprano), Christopher de la Hoyde (treble), Ian Bostridge (vocals), Iestyn Davies (treble), James Bowman (alto), John Mark Ainsley (tenor), Mark Padmore (tenor), Matthew Brook (vocals), Michael George (bass), Nathan Berg (vocals)
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Fauré: The Complete Songs, Vol. 2: Un paysage choisi (2005)
by Christopher Maltman (baritone), Felicity Lott (soprano), Geraldine McGreevy (soprano), Graham Johnson (piano), Jean-Paul Fouchécourt (tenor), Jennifer Smith (soprano), John Mark Ainsley (tenor), Stella Doufexis (soprano), Stephen Varcoe (baritone)
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Benjamin Britten: Cantata misericordium; Deus in adjutorium meum; Chorale; Gerald Finzi: Requiem da Camera (1991)
by Alison Barlow (soprano), Britten Singers (vocals), David Hoult (baritone), Edward Roberts (violin), John Alley (organ), John Mark Ainsley (tenor), Nicholas Ward (violin), Stephen Tees (viola), Stephen Varcoe (bass), Susan Dorey (cello)
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Purcell: Come ye sons of Art; Welcome, viceregent of the mighty king; Why are all the Muses mute? (1992)
by Gillian Fisher (soprano), James Bowman (counter tenor), John Mark Ainsley (tenor), Mark Padmore (tenor), Michael Chance (counter tenor), Michael George (bass), Paul Goodwin (oboe), Robert Evans (bass), Tessa Bonner (soprano), The King's Consort
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Britten: Spring Symphony; Five flower Songs; Hymn to St. Cecilia (1997)
by Alison Hagley (soprano), Catherine Robbin (contralto), Emma Preston-Dunlop (soprano), Gill Ross (soprano), John Mark Ainsley (tenor), Peter Mitchell (tenor), Richard Savage (bass), Monteverdi Choir (choir, chorus), Philharmonia Orchestra
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