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Händel: Israel in Egypt; Zadok the Priest; The King Shall Rejoice (1995)
by Andrew Tusa (tenor), Ashley Stafford (alto), Christopher Purves (bass), Donna Deam (soprano), Elisabeth Priday (soprano), English Baroque Soloists, Jonathan Peter Kenny (alto), Julian Clarkson (bass), Michael Chance (alto), Nicolas Robertson (tenor)
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Bach: St. John Passion; Mass in B Minor; Easter Oratorio; Ascension Oratorio (2002)
by Andrew Tusa (tenor), Caroline Trevor (alto), Charles Daniels (tenor), Christian Fliegner (vocals), David Thomas (bass), Emily van Evera (soprano), Emma Kirkby (soprano), Emma Kirkby (soprano), Evelyn Tubb (soprano), Margaret Cable (alto)
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Purcell: The Complete Odes and Welcome Songs (1993)
by Andrew Tusa (tenor), Charles Daniels (tenor), Charles Daniels (alto), Charles Pott (bass), Crispian Steele-Perkins (trumpet), Gillian Fisher (soprano), James Bowman (counter tenor), James Bowman (vocals), James Bowman (alto), John Mark Ainsley (tenor)
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Purcell: Love's goddess sure was blind; Raise, raise the voice; Laudate Ceciliam; From those serene and rapturous joy (1992)
by Andrew Tusa (tenor), Gillian Fisher (soprano), James Bowman (counter tenor), Mark Padmore (high tenor vocal), Mary Seers (soprano), Michael George (bass), The King's Consort
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The Study of Love: French Songs and Motets for the 14th Century (1992)
by Andrew Lawrence-King (harp), Andrew Tusa (tenor), Christopher Page (lute), Donald Greig (baritone), Gothic Voices, Julian Podger (tenor), Leigh Nixon (tenor), Margaret Philpot (alto), Rogers Covey-Crump (tenor), Stephen Charlesworth (baritone)
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Lancaster and Valois: French & English Music, ca. 1350-1420 (1992)
by Andrew Lawrence-King (medieval harp), Andrew Tusa (tenor), Charles Daniels (tenor), Christopher Page (medieval lute), Donald Greig (baritone), Gothic Voices, Leigh Nixon (tenor), Margaret Philpot (alto), Rogers Covey-Crump (tenor)
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