Add this copy of Douglas Gordon to cart. $2.97, like new condition, Sold by ThriftBooks-Baltimore rated 4.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 2001 by MIT Press.
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Add this copy of Douglas Gordon to cart. $4.26, good condition, Sold by Books From California rated 4.0 out of 5 stars, ships from Simi Valley, CA, UNITED STATES, published 2001 by The MIT Press.
Add this copy of Douglas Gordon (Mit Press) to cart. $5.09, good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 2001 by Mit Press.
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Seller's Description:
Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Add this copy of Douglas Gordon (the Mit Press) to cart. $6.48, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2001 by The MIT Press.
Add this copy of Douglas Gordon (the Mit Press) to cart. $9.98, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2001 by The MIT Press.
Add this copy of Douglas Gordon (Mit Press) to cart. $11.74, very good condition, Sold by HPB-Diamond rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2001 by MIT Press.
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Add this copy of Douglas Gordon to cart. $11.99, very good condition, Sold by A Good Read rated 3.0 out of 5 stars, ships from Toronto, ON, CANADA, published 2001 by The MIT Press.
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Seller's Description:
Very Good in Very Good dust jacket. 0262062224. A Good Read ships from Toronto and Niagara Falls, NY-customers outside of North America please allow two to three weeks for delivery. Light edgewear to DJ. Minor wear to surface of DJ. Remainder mark to bottom edge of text block.; MIT Press; 12.20 X 9.45 X 0.79 inches; 200 pages.
Add this copy of Douglas Gordon (Moca, Los Angeles) to cart. $22.40, like new condition, Sold by Vincent Borrelli, Bookseller rated 5.0 out of 5 stars, ships from Albuquerque, NM, UNITED STATES, published 2001 by The Museum of Contemporary Art, Los Angeles (MOCA), and The MIT Press.
Edition:
2001, The Museum of Contemporary Art, Los Angeles (MOCA), and The MIT Press
Publisher:
The Museum of Contemporary Art, Los Angeles (MOCA), and The MIT Press
Published:
2001
Language:
English
Alibris ID:
11206328105
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Seller's Description:
Fine in Fine jacket. First edition, first printing. Hardcover. Textured black paper-covered boards, with photographically illustrated dust jacket. Photographs and video by Douglas Gordon. Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector. Interview with the artist by David Sylvester. Includes a selected bibliography and a list of works. 184 pp., with four-color plates throughout. 12 x 9-1/4 inches. Published on the occasion of an exhibition organized by Russell Ferguson at the Museum of Contemporary Art, Los Angeles, which traveled to other venues. Fine in Fine dust jacket.
Add this copy of Douglas Gordon to cart. $24.50, like new condition, Sold by Hennessey + Ingalls rated 5.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2001 by MIT Press (MA).
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Used-Like New. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time---and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Out of print. Creasing and/or tears on dust jacket.