Clinic's long-awaited debut album Internal Wrangler fleshes out the sound the group crafted on their self-released EPs, and it also adds a few new twists. Though eerie, punk-tinged songs like "The Return of Evil Bill" and the title track sound like they could have appeared on the band's first singles, Internal Wrangler's best songs concentrate on the experimental yet accessible sides of Clinic's sound. "The Second Line"'s darkly catchy throb, the aptly named "2nd Foot Stomp"'s organ-driven pulse, and "Voodoo Wop"'s blend of ...
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Clinic's long-awaited debut album Internal Wrangler fleshes out the sound the group crafted on their self-released EPs, and it also adds a few new twists. Though eerie, punk-tinged songs like "The Return of Evil Bill" and the title track sound like they could have appeared on the band's first singles, Internal Wrangler's best songs concentrate on the experimental yet accessible sides of Clinic's sound. "The Second Line"'s darkly catchy throb, the aptly named "2nd Foot Stomp"'s organ-driven pulse, and "Voodoo Wop"'s blend of surf and Krautrock are a logical progression from Clinic's roots, but ballads like the "Pale Blue Eyes"-esque "Distortions" and the late-night calm of "Goodnight Georgie" are a leap into new territory for the band. Though some of the thrashier songs like "C.Q." and "T.K." and a bottom-heavy song sequence detract from the album's flow, Internal Wrangler is still a strong debut from one of England's most promising and distinctive indie bands. ~ Heather Phares, Rovi
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