With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented attention to the album's production standards, arrangements, and even the cover artwork. As a result, bold new efforts like the timeless title track, "A National Acrobat," and "Killing Yourself to Live" positively glistened with a newfound level of finesse and maturity, while remaining largely faithful, aesthetically speaking, to ...
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With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented attention to the album's production standards, arrangements, and even the cover artwork. As a result, bold new efforts like the timeless title track, "A National Acrobat," and "Killing Yourself to Live" positively glistened with a newfound level of finesse and maturity, while remaining largely faithful, aesthetically speaking, to the band's signature compositional style. In fact, their sheer songwriting excellence may even have helped to ease the transition for suspicious older fans left yearning for the rough-hewn, brute strength that had made recent triumphs like Master of Reality and Vol. 4 (really, all their previous albums) such undeniable forces of nature. But thanks to Sabbath Bloody Sabbath's nearly flawless execution, even a more adventurous experiment like the string-laden "Spiral Architect," with its tasteful background orchestration, managed to sound surprisingly natural, and in the dreamy instrumental "Fluff," Tony Iommi scored his first truly memorable solo piece. If anything, only the group's at times heavy-handed adoption of synthesizers met with inconsistent consequences, with erstwhile Yes keyboard wizard Rick Wakeman bringing only good things to the memorable "Sabbra Cadabra" (who know he was such a great boogie-woogie pianist?), while the robotically dull "Who Are You" definitely suffered from synthesizer novelty overkill. All things considered, though, Sabbath Bloody Sabbath was arguably Black Sabbath's fifth masterpiece in four years, and remains an essential item in any heavy metal collection. ~ Eduardo Rivadavia, Rovi
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Add this copy of Sabbath Bloody Sabbath (2016 Remaster) to cart. $5.49, good condition, Sold by Seattle Goodwill rated 4.0 out of 5 stars, ships from Seattle, WA, UNITED STATES, published 2016 by Rhino.
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Add this copy of Sabbath Bloody Sabbath (2016 Remaster) to cart. $7.50, very good condition, Sold by SellingTales rated 5.0 out of 5 stars, ships from Belvidere, NJ, UNITED STATES, published 2016 by Rhino/Warner Records.
Add this copy of Sabbath Bloody Sabbath (2016 Remaster) to cart. $9.00, good condition, Sold by Goodwill Books rated 5.0 out of 5 stars, ships from Hillsboro, OR, UNITED STATES, published 2016 by Rhino.
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Good. May have very light or no surface scratches. Case and cover artwork are included but may show minimal signs of wear. Slipcover may not be included.
Add this copy of Sabbath Bloody Sabbath to cart. $18.60, new condition, Sold by newtownvideo rated 4.0 out of 5 stars, ships from huntingdon valley, PA, UNITED STATES, published 2016 by Rhino/Warner Bros.
Add this copy of Sabbath Bloody Sabbath to cart. $24.47, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2016 by Rhino.