The group's debut album was the most uncompromisingly blues/R&B-oriented full-length recording they would ever release. Mostly occupied with covers, this was as hardcore as British R&B ever got; it's raw and ready. But the Stones succeeded in establishing themselves as creative interpreters, putting '50s and early-'60s blues, rock, and soul classics (some quite obscure to white audiences) through a younger, more guitar-oriented filter. The record's highlighted by blistering versions of "Route 66," "Carol," the hypertempoed ...
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The group's debut album was the most uncompromisingly blues/R&B-oriented full-length recording they would ever release. Mostly occupied with covers, this was as hardcore as British R&B ever got; it's raw and ready. But the Stones succeeded in establishing themselves as creative interpreters, putting '50s and early-'60s blues, rock, and soul classics (some quite obscure to white audiences) through a younger, more guitar-oriented filter. The record's highlighted by blistering versions of "Route 66," "Carol," the hypertempoed "I Just Want to Make Love to You," "I'm a King Bee," and "Walking the Dog." Their Bo Diddley-ized version of Buddy Holly's "Not Fade Away" gave them their first British Top Ten hit (and their first small American one). The acoustic ballad "Tell Me" was Jagger-Richards' first good original tune, but the other group-penned originals were little more than rehashed jams of blues clichés, keeping this album from reaching truly classic status. ~ Richie Unterberger, Rovi
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