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Karol Szymanowski: Stabat Mater; Krzysztof Penderecki: Dies Irae; Threnody to the Victims of Hiroshima (2022)
by Annette Markert (mezzo-soprano), Anton Scharinger (tenor), Elena Mosuc (soprano), Ewa Izykowska (soprano), Stephen Roberts (bass), Zachos Terzakis (tenor), Chorus sine nomine (choir, chorus), Vienna Concert Choir (choir, chorus)
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Johann David Heinichen: La Gara degli Dei (2013)
by Alexandra Coku (soprano), Annette Markert (alto), Carola Hohn (soprano), Katharina Kammerloher (mezzo-soprano), Olaf Bär (baritone), Ralph Eschrig (tenor), Simone Nold (soprano), Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen (conductor)
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Ferdinand Hiller: Die Zerstörung Jerusalems, Op. 24 (2012)
by Annette Markert (alto), Daniel Ochoa (baritone), Gudrun Sidonie Otto (soprano), Isabel Meyer-Kalis (soprano), Manuel Helmeke (bass), Patrick Grahl (tenor), Reinaldo Dopp (tenor), Tobias Hunger (tenor), Leipzig Gewandhaus Chorus (choir, chorus)
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Gottfried August Homilius: Musik an der Dresdner Frauenkirche - Jubiläumsedition (2014)
by Andreas Lorenz (oboe), Anne Buter (alto), Annette Markert (alto), Barbara Christina Steude (soprano), Bernd Haubold (double bass), Christian Hilz (bass), Christiane Kohl (soprano), Clemens Volkmar (tenor), Dorothea Wagner (soprano)
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