The ancient Greek myth of Orpheus and Eurydice has had rich resonances in the modern world, ranging from balladry to the play by Vinícius de Moraes and its spectacular film adaptation. The latest entry into this tradition is Orfeo Chamán, composed and led in performance by theorbist Christina Pluhar. Like Moraes, Pluhar sets her Orpheus story in Latin America and draws on non-European belief systems: in Moraes' case Afro-Brazilian, in Pluhar's pre-Columbian. The work's title means Orpheus Shaman, and instead of going to the ...
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The ancient Greek myth of Orpheus and Eurydice has had rich resonances in the modern world, ranging from balladry to the play by Vinícius de Moraes and its spectacular film adaptation. The latest entry into this tradition is Orfeo Chamán, composed and led in performance by theorbist Christina Pluhar. Like Moraes, Pluhar sets her Orpheus story in Latin America and draws on non-European belief systems: in Moraes' case Afro-Brazilian, in Pluhar's pre-Columbian. The work's title means Orpheus Shaman, and instead of going to the underworld to search for his Eurydice, he enters a world populated by the souls of inanimate objects. Although it's been called an opera and has been staged as one, Orfeo Chamán only occasionally reflects the action of the text, by Colombian poet Hugo Chaparro Valderrama. Instead, the work consists of a series of set pieces with little climaxes of strong emotion; "cantata" would be a better word for it. There are four solo parts, for Orpheus, Eurydice, Orpheus' half-brother...
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Add this copy of Orfeo Chaman to cart. $12.06, very good condition, Sold by Book Alley rated 4.0 out of 5 stars, ships from Pasadena, CA, UNITED STATES, published 2016 by Warner Classics.
