Die Geschöpfe des Prometheus (The Creatures of Prometheus), ballet, Op. 43: Finale
While Andrew Manze is primarily known as a superb violinist and a prominent figure in the early music movement, playing string music from the seventeenth and eighteenth centuries, he takes up the baton in this recording of Ludwig van Beethoven's Symphony No. 3 in E flat major, "Eroica," a work considered standard symphonic repertoire. Leading the Helsingborg Symphony Orchestra in this 2008 SACD recording from Harmonia Mundi, Manze gives this famous Romantic symphony something resembling a period treatment; though it is ...
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While Andrew Manze is primarily known as a superb violinist and a prominent figure in the early music movement, playing string music from the seventeenth and eighteenth centuries, he takes up the baton in this recording of Ludwig van Beethoven's Symphony No. 3 in E flat major, "Eroica," a work considered standard symphonic repertoire. Leading the Helsingborg Symphony Orchestra in this 2008 SACD recording from Harmonia Mundi, Manze gives this famous Romantic symphony something resembling a period treatment; though it is ostensibly played without original instruments, the 59-member Swedish ensemble seems close in scale and range to early nineteenth century orchestras, and delivers a clean and meticulous reading that makes the music sound crisp, streamlined, and agile. Yet as accurately re-created as this performance may be, its authenticity is not the main point of interest of this recording; rather, it seems to be the tracking down of a theme that Beethoven used not only in the Finale of "Eroica," but...
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