The book presents 50 pieces of European lacquerware from the 16th to the 20th century. Chosen from the collection of the Museum of Lacquerware in M�nster, the pieces are vividly rendered in colour photographs and examined in detail in accompanying essays. "Lacquer shines and flows," Oskar Schlemmer once wrote, �finally becoming as hard as stone. Lacquer can be colourless, as clear as glass and as bright as water, or range from yellow or gold through brown to deepest black. Through the addition of powdered pigments we ...
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The book presents 50 pieces of European lacquerware from the 16th to the 20th century. Chosen from the collection of the Museum of Lacquerware in M�nster, the pieces are vividly rendered in colour photographs and examined in detail in accompanying essays. "Lacquer shines and flows," Oskar Schlemmer once wrote, �finally becoming as hard as stone. Lacquer can be colourless, as clear as glass and as bright as water, or range from yellow or gold through brown to deepest black. Through the addition of powdered pigments we can make lacquers in any colour, which likewise shine, flow smoothly and harden as they dry.� Resin, the highest quality of which can be found in the lacquer trees that thrive in temperate to hot zones of East and South-East Asia, constitues the basic ingredient of all lacquer. It is therefore not surprising that East Asian lacquerwork boasts an ancient heritage. The magnificence and aesthetic perfection that Europeans encountered when they first came into contact with Chinese and Japanese lacquer artefacts resulted in the opening of extensive trade routes which, by the 17th century, were bringing a constant flow of porcelain and lacquerware to Europe. It was in 1772, however, that the French lacquerer Jean-F�lix Watin stated "What immense sums leave Europe every year and are swallowed up in the vast regions of Asia," thereby giving voice to a common motivation for bringing lacquerware production to Europe, where in the previous two centuries it had, so to speak, only been simmering. This opulent catalogue narrates in vivid images and illuminating essays the comparatively young though rich tradition of European lacquer.
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Add this copy of European Lacquer: Selected Works From the Museum Fur to cart. $65.00, good condition, Sold by Ray Boas, Bookseller rated 5.0 out of 5 stars, ships from Walpole, NH, UNITED STATES, published 2010 by Hirmer Verlag.
Add this copy of European Lacquer: Selected Works From the Museum Für to cart. $67.12, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2010 by Hirmer Publishers.
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.