This book casts new light on the work of the German poet Friedrich H�lderlin (1770 - 1843), and his translations of Greek tragedy. It shows H�lderlin's poetry is unique within Western literature (and art) as it retrieves the socio-politics of a Dionysiac space-time and language to challenge the estrangement of humans from nature and one other. In this book, author Lucas Murrey presents a new picture of ancient Greece, noting that money emerged and rapidly developed there in the sixth century B.C. This act of ...
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This book casts new light on the work of the German poet Friedrich H�lderlin (1770 - 1843), and his translations of Greek tragedy. It shows H�lderlin's poetry is unique within Western literature (and art) as it retrieves the socio-politics of a Dionysiac space-time and language to challenge the estrangement of humans from nature and one other. In this book, author Lucas Murrey presents a new picture of ancient Greece, noting that money emerged and rapidly developed there in the sixth century B.C. This act of monetization brought with it a concept of tragedy: money-tyrants struggling against the forces of earth and community who succumb to individual isolation, blindness and death. As Murrey points out, H�lderlin (unconsciously) retrieves the battle between money, nature and community and creatively applies its lessons to our time. But H�lderlin's poetry not only adapts tragedy to question the unlimited "machine process" of "a clever race" of money-tyrants. It also draws attention to Greece's warnings about the mortal danger of the eyes in myth, cult and theatre. This monograph thus introduces an urgently needed vision not only of H�lderlin hymns, but also the relevance of disciplines as diverse as Literary Studies, Philosophy, Psychology (Psychoanalysis) as well as Religious and Visual (Media) Studies to our present predicament, where a dangerous visual culture, through its support of the unlimitedness of money, is harming our relation to nature and one another. "Here triumphs a temperament guided by ancient religion and that excavates, in H�lderlin's translations, the central god Dionysus of Greek tragedy." "Lucas Murrey shares with his subject, H�lderlin, a vision of the Greeks as bringing something vitally important into our poor world, a vision of which few classical scholars are now capable." -Richard Seaford, author of Money and the Early Greek Mind and Dionysus. "Here triumphs a temperament guided by ancient religion and that excavates, in H�lderlin's translations, the central god Dionysus of Greek tragedy." -Bernhard B�schenstein, author of "Frucht des Gewitters". Zu H�lderlins Dionysos als Gott der Revolution and Paul Celan: Der Meridian. "Lucas Murrey takes the god of tragedy, Dionysus, finally serious as a manifestation of the ecstatic scream of liberation and visual strategies of dissolution: he pleasantly portrays H�lderlin's idiosyncratic poetic sympathy." -Anton Bierl, author of Der Chor in der Alten Kom�die. Ritual and Performativit�t "H�lderlin most surely deserved such a book." -Jean-Fran�ois Kerv�gan, author of Que faire de Carl Schmitt? "...fascinating material..." -Noam Chomsky, author of Media Control and Nuclear War and Environmental Catastrophe.
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Add this copy of Hölderlin's Dionysiac Poetry: The Terrifying-Exciting to cart. $51.65, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2016 by Springer International Publishing AG.
Add this copy of Hölderlin? S Dionysiac Poetry: the Terrifying-Exciting to cart. $80.09, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2016 by Springer.
Add this copy of Hölderlin? S Dionysiac Poetry: the Terrifying-Exciting to cart. $117.59, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2016 by Springer.
