This extensive volume surveys the drawings of Argentinian artist Guillermo Kuitca (born 1961) from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonn� and an artist's book. While not exhaustive, the book, in its pacing, is somewhat chronological; the works selected suggest the successive aesthetic, visual, and iconographic codes, worlds and concerns the artist has ...
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This extensive volume surveys the drawings of Argentinian artist Guillermo Kuitca (born 1961) from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonn� and an artist's book. While not exhaustive, the book, in its pacing, is somewhat chronological; the works selected suggest the successive aesthetic, visual, and iconographic codes, worlds and concerns the artist has engaged in his puzzling artistic production. Realized with watercolor, ink, colored pencils, pastel, acrylic, chalk and ink-jet prints, Kuitca's drawings--black and white or colored--display his manifold thematic obsessions: faces and hands, portraits and intimate scenes, insects and beds, and architectural and topographic renderings.
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Add this copy of Guillermo Kuitca: Collected Drawings: 1971-2017 to cart. $41.39, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2018 by JRP | Ringier.
Add this copy of Guillermo Kuitca: Collected Drawings: 1971-2017 to cart. $60.60, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2018 by JRP | Ringier.
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Seller's Description:
Jumbo-sized. Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD.
