The winner of the 1922 Pulitzer Prize in literature and the subject of several well-received film adaptations, Alice Adams is regarded as one of Booth Tarkington's most accomplished novels. The tale follows the exploits of the plucky young protagonist, who disregards her family's low social standing and pursues love with the well-heeled young man of her dreams.
Read More
The winner of the 1922 Pulitzer Prize in literature and the subject of several well-received film adaptations, Alice Adams is regarded as one of Booth Tarkington's most accomplished novels. The tale follows the exploits of the plucky young protagonist, who disregards her family's low social standing and pursues love with the well-heeled young man of her dreams.
Read Less
Add this copy of Alice Adams to cart. $25.00, good condition, Sold by Best and Fastest Books rated 4.0 out of 5 stars, ships from Wantage, NJ, UNITED STATES, published 2017 by Createspace Independent Publishing Platform.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
International collectors library Hardcover edition, Hardcover copy is in good, solid, condition, no dj, mild wear, decorative covers/spine sleeve, unmarked text, a good copy.
Tarkington writes about small town Indiana in the early Twentieth Century better than anyone. Alice Adams is an ambitious social climber, but coming from a poor family it's a hard climb. A handsome young man of 'good quality' is attracted to Alice, but she can't be herself. She must make up stories to put her and her family in a better light. When her father's business venture develops into a scandal, she sees the error of her ways and faces her future with her head held high while remaining loyal to her family. This was a very enjoyable read...
GypsyLee
Jun 25, 2009
An underrated classic-
An underrated classic, pure Americana- warts and all. Proof yet again that a good contemporary novel beats a ?historical? one any day. The kind of book you?ll want to have on your shelf, to read again.
Tarkington was very much a product of his time, and his language reflects this. Translation: the novel contains racist terms and characterizations which, interestingly enough, only serve to reinforce its original premise: the ugliness of the ?class system? of early 20th century America, and the utter futility of one outsider?s struggle to bluff her way into its upper stratum. Blind to her own prejudices, the heroine is painfully sensitive to the treatment she receives as an outsider; contrast this with her brother, far more egalitarian in his associations, yet so discouraged by hisown clear-sightedness that he makes a classic error. The African-Americans in the story provide a resonant counterpoint: despite the ?minstrelization? of their characters, they have the collective effect of a Greek chorus, which I believe was the author?s intention, though I am not one of those who claim he did not himself buy into the bigotries he depicted. Put another way, Yes: Tarkington did in fact intend these characters to be ?clownish?; to have the effect (collectively) without the eerie dignity (individually or otherwise) of the classical Greek chorus.
Time, in my opinion, has had the last laugh.
My advice: hold your nose (over spots) and read it anyway. If you haven?t seen the 1935 Hollywood (-ending) version with Katherine Hepburn ? don?t bother (misses the point).
