Add this copy of No Problem: Cologne/New York 1984-1989 to cart. $39.35, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2015 by David Zwirner Books.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
Add this copy of No Problem: Cologne/New York 1984-1989 to cart. $39.36, fair condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2015 by David Zwirner Books.
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Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Add this copy of No Problem Cologne New York 19841989 to cart. $49.34, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2015 by David Zwirner.
Add this copy of No Problem: Cologne / New York 1984-1989 to cart. $50.79, new condition, Sold by Booksplease rated 4.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2015 by David Zwirner.
Add this copy of No Problem: Cologne/New York 1984-1989 to cart. $60.00, new condition, Sold by Hennessey + Ingalls rated 4.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2015 by David Zwirner Books.
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New. In the words of Peter Schjeldahl, writing recently in 'The New Yorker' about the exhibition 'No Problem: Cologne/New York 1984-1989' at David Zwirner in New York, 'the show's cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era. ' Canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of the art scenes in Cologne-arguably the European center of the contemporary art world at that time-and New York. While a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler and Monika Sprü th showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel and others. These German artists were exhibited alongside artists such as Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman and Christopher Wool. Conversely, the work of German artists was presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring Augustine and other significant venues. Important museum exhibitions that explored work on both sides of the Atlantic also set the tone for this dialogue, among them 'Europa/Amerika' (Museum Ludwig, 1986) and 'A Distanced View' (New Museum, 1986). Big, bold and vibrant, this Pentagram-designed publication revives the conversation, reproducing in full color every one of the over 100 artworks by 22 international artists included in this massive exhibition-one of the largest in David Zwirner's history. The book also features new scholarship by Diedrich Diederichsen and Bob Nickas, an illustrated timeline for both cities and compelling archival material-from documentary photographs from the period and reproductions of Cologne's historic 'Spex Magazine' to reviews of exhibitions from the period. This catalogue encapsulates the energy, heart and 'dissonance of styles'-in the words of Schjeldahl-embodied by this fecund moment in global art history.