Adapted from the lecture she delivered at the Institut f�r Kunstkritik, St�delschule in Frankfurt am Main, Ewa Lajer-Burcharth's essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Sim�on Chardin. Focusing on the material aspects of Chardin's practice, Lajer-Burcharth asks: In what ways were Chardin's painterly procedures "his own," and what were the implications of his possessive and personalized approach to the process of making? The author delves into these ...
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Adapted from the lecture she delivered at the Institut f�r Kunstkritik, St�delschule in Frankfurt am Main, Ewa Lajer-Burcharth's essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Sim�on Chardin. Focusing on the material aspects of Chardin's practice, Lajer-Burcharth asks: In what ways were Chardin's painterly procedures "his own," and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist's career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author's replies. Institut f�r Kunstkritik Series
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Add this copy of Chardin Material to cart. $9.40, like new condition, Sold by spellbound rated 5.0 out of 5 stars, ships from McKeesport, PA, UNITED STATES, published 2011 by Sternberg Press.
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