This catalog accompanies the first monographic examination of the art of William Trost Richards in Boston. The exhibition, presented at the McMullen Museum of Art at Boston College, features oil paintings, watercolors, and drawings, including many rarely seen works from the artist's descendants. Richards, a leading figure among nineteenth-century landscape painters, reflects a key moment in the evolution of the genre. Through the illustration of over 150 works, the catalog spans Richards's career from his earliest sketches ...
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This catalog accompanies the first monographic examination of the art of William Trost Richards in Boston. The exhibition, presented at the McMullen Museum of Art at Boston College, features oil paintings, watercolors, and drawings, including many rarely seen works from the artist's descendants. Richards, a leading figure among nineteenth-century landscape painters, reflects a key moment in the evolution of the genre. Through the illustration of over 150 works, the catalog spans Richards's career from his earliest sketches to his later masterful seascapes and landscapes. A range of styles and themes are also presented, highlighting the artist's hieroglyphic interpretation of nature, an interest of Romantic artists that was particular to their age of flourishing scientific discoveries. This volume features research by scholars from various disciplines, including art history, American studies, literary studies, and geology. The writers delve into the personal and historical background of the artist and illuminate the links between Richards's works and the artistic, scientific, and philosophical currents of his era. The catalog sheds new light on Richards's art and on his position in the development of American art and the rise of environmental issues in American culture.
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Seller's Description:
VG+ in original plastic wrap (as new) Softcover with color reproduction on front and reverse 215 pp, generously illustrated with color reproductions. "The first monographic examination of William Trost Richards's (1833-1905) art in Boston, this exhibition explores the artist's career from his earliest sketches and exemplary Pre-Raphaelite technique of the 1860s, to his late masterful seascapes and landscapes. Richards's landscapes in particular come to light within the context of the nineteenth century's burgeoning appreciation for the environment. The exhibition reveals how Richards's works manifest the Romantics' hieroglyphic interpretation of nature, a metaphor embraced by Ralph Waldo Emerson and Henry David Thoreau, and reflect nascent scientific discoveries of contemporary geologists who revolutionized understanding of evolution and history. William Trost Richards: Hieroglyphs of Landscape features more than 180 oil paintings, watercolors, drawings, and sketchbooks, including many seldom-seen works owned by descendants of the artist. Other outstanding contributions come from Bowdoin College Museum of Art; Brooklyn Museum; Davis Museum at Wellesley College; Mark Twain House & Museum; McMullen Museum of Art; the Metropolitan Museum of Art; Museum of Fine Arts, Boston; Nantucket Historical Association; Newport Art Museum; Pennsylvania Academy of the Fine Arts; William Vareika Fine Arts; and many private collectors. An accompanying scholarly catalogue, edited by Jeffery Howe, contains essays by Ethan F. Baxter, Rebecca Bedell, Linda S. Ferber, Howe, and James D. Wallace. The writers probe the artist's background and psychology, illuminating links between his works and the artistic, geologic, and philosophical currents of his era."--.
