"Dramatic Notes" is a layman's guide to the way composers create music to support drama, whether in the form of film, theatre, opera, radio or TV. Central to the book is a series of interviews with distinguished composers and directors as diverse as Judith Weir, Barrington Pheloung, George Fenton, John Schlesinger and Richard Rodney Bennett. How does music work with drama? What is the mysterious process by which we all recognise and respond to musical emotions and signals without necessarily 'being musical'? Who makes the ...
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"Dramatic Notes" is a layman's guide to the way composers create music to support drama, whether in the form of film, theatre, opera, radio or TV. Central to the book is a series of interviews with distinguished composers and directors as diverse as Judith Weir, Barrington Pheloung, George Fenton, John Schlesinger and Richard Rodney Bennett. How does music work with drama? What is the mysterious process by which we all recognise and respond to musical emotions and signals without necessarily 'being musical'? Who makes the decisions about the use of music in the media? And how has the twentieth century put music to work with drama as never before?
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Add this copy of Dramatic Notes: Foregrounding Music in the Dramatic to cart. $44.54, poor condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1998 by University Of Luton Press.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 950grams, ISBN: 9781860205484.