In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, ...
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In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York's experimental culture. In 2005, New York's rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
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Add this copy of The Williamsburg Avant-Garde: Experimental Music and to cart. $22.10, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2023 by Duke University Press.
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New. Trade paperback (US). Glued binding. 408 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Add this copy of The Williamsburg Avant-Garde: Experimental Music and to cart. $24.97, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2023 by Duke University Press.
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Fine. Trade paperback (US). Glued binding. 408 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of The Williamsburg Avant-Garde: Experimental Music and to cart. $24.98, like new condition, Sold by EdmondDantes Bookseller rated 5.0 out of 5 stars, ships from Minneapolis, MN, UNITED STATES, published 2023 by Duke University Press Books.
Add this copy of The Williamsburg Avant-Garde: Experimental Music and to cart. $26.03, new condition, Sold by BargainBookStores rated 3.0 out of 5 stars, ships from Grand Rapids, MI, UNITED STATES, published 2023 by Duke University Press.
Add this copy of The Williamsburg Avant-Garde Experimental Music and to cart. $29.95, like new condition, Sold by Diamond Hollow Books rated 5.0 out of 5 stars, ships from Andes, NY, UNITED STATES, published 2023 by Duke University Press.
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Fine. Fine in wrappers, 508 pages, 50 ills. This copy is SIGNED by Bradley on the half-title page. In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York's experimental culture. In 2005, New York's rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
![The Williamsburg Avant-Garde Experimental Music and Sound on the Brooklyn Waterfront [Signed Copy]](https://www0.alibris-static.com/imageid/2078610436_t.jpg)
