Excerpt from Cagliostro: The Splendour and Misery of a Master of Magic Such a statement made in connection with such a character as Cagliostro is popularly supposed to be will, no doubt, expose me to the charge of having whitewashed him. This, however, I emphatically deny. Whitewashing, as I understand this term, is a plausible attempt to portray base or detestable characters as worthy of esteem by palliating their vices and attributing noble motives to their crimes. This manner of treating historical figures is certainly ...
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Excerpt from Cagliostro: The Splendour and Misery of a Master of Magic Such a statement made in connection with such a character as Cagliostro is popularly supposed to be will, no doubt, expose me to the charge of having whitewashed him. This, however, I emphatically deny. Whitewashing, as I understand this term, is a plausible attempt to portray base or detestable characters as worthy of esteem by palliating their vices and attributing noble motives to their crimes. This manner of treating historical figures is certainly not one of which I can be accused, as those who may have read previous biographical books of mine will admit. Whatever sympathy for Cagliostro my researches may have evoked it has always been exceeded by contempt of those who, combining an unreasoning prejudice with a slovenly system of compilation, have repeated the old charges against him with parrot-like stupidity. The object of this book is not so much an attempt to vindicate Cagliostro as to correct and revise, if possible, what I believe to be a false judgment of history. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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