Excerpt from The Redemption of Kenneth Galt His gaze was drawn perforce to the face of the young organist, who sat staring listlessly over the top of her hymn-book. She had a face and form of rare beauty and grace. Her features were most regular; her skin clear; her eyes were large, long-lashed, dreamy, and of the color of violets. Her hair was a living mass of silken bronze. She looks tired and worried, was Dearing's half professional comment. Perhaps her mother is worse, and she sat up last night. Poor Dora! She has ...
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Excerpt from The Redemption of Kenneth Galt His gaze was drawn perforce to the face of the young organist, who sat staring listlessly over the top of her hymn-book. She had a face and form of rare beauty and grace. Her features were most regular; her skin clear; her eyes were large, long-lashed, dreamy, and of the color of violets. Her hair was a living mass of silken bronze. She looks tired and worried, was Dearing's half professional comment. Perhaps her mother is worse, and she sat up last night. Poor Dora! She has certainly had a lot to contend with since her father died. I'll wait for her after church and ask about her mother. The service over, he made his way through the throng down the aisle toward the door. He was quite popular, and there was many a hand to shake and many a warm greeting to respond to, but he finally succeeded in reach ing a point in the shaded church-yard which Dora Barry would pass on her way home, and there he waited. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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