A descriptive catalogue of a general collection of ancient and modern engraved gems, cameos as well as intaglios, taken from the most celebrated cabinets in Europe; and cast in coloured pastes
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries ...
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Library of Congress N065697 Vols. 1 and 2 with parallel English and French title pages. With 58 numbered plates. London: printed for for and sold by James Tassie; and J. Murray, C. Buckton, 1791. 2v.; 4�
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All Editions of A Descriptive Catalogue of a General Collection of Ancient and Modern Engraved Gems, Cameos as Well as Intaglios: Taken from the Most Celebrated Cabinets in Europe; And Cast in Coloured Pastes, White Enamel, and Sulphur Volume 1