This book grew out of the author's wish to go beyond a formal definition of fantasy to discover a basic urge and interest common to the genre. He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being, whether that being is God's creation, the world, or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasy's conservatism and its frequently elegiac mode, and is ...
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This book grew out of the author's wish to go beyond a formal definition of fantasy to discover a basic urge and interest common to the genre. He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being, whether that being is God's creation, the world, or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasy's conservatism and its frequently elegiac mode, and is demonstrated through its formal characteristics such as circular structure and the use of juxtaposition to heighten individuality. It is more overtly present in modern than in pre-1800 fantasy, partly because modern fantasy developed as a Romantic reaction against technology and everything that reduced direct contact between people and the environment. These aspects of fantasy are illustrated from detailed discussion of the tales of Grimm, Walter de la Mare's Told Again, W. M. Thackeray's The Rose and the Ring, Charles Williams's prose fantasies, Ursula le Guin's Earthsea trilogy, E. Nesbit's magic books, George MacDonald's Phantastes and Lilith, T. H. White's The Once and Future King, Mervyn Peake's Gormenghast novels, William Morris's late romances, Lord Dunsany's The King of Elfland's Daughter, E. R. Eddison's The Worm Ouroboros, and Peter Beagle's The Last Unicorn. Together these authors and works provide a cross-section of what is a fundamentally panegyric genre demonstrating its variety, its strengths, and its limitations.
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Add this copy of Impulse of Fantasy Literature to cart. $2.97, like new condition, Sold by ThriftBooks-Reno rated 5.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 1983 by Kent State Univ Pr.
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Add this copy of Impulse of Fantasy Literature to cart. $8.28, like new condition, Sold by dying earth books rated 4.0 out of 5 stars, ships from torrance, CA, UNITED STATES, published 1983 by Kent State Univ Pr.
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Fine. No Jacket. Book Aside from a missing DJ, this book is as good as new. It is square and solidly bound. It's tight, free of markings and evidently unread--you'll somersault with delight when this book gets to you! ! !
Add this copy of Impulse of Fantasy Literature to cart. $10.00, like new condition, Sold by funyettabooks rated 5.0 out of 5 stars, ships from Bloomington, MN, UNITED STATES, published 1983 by The Kent State University Press.
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Fine in Fine jacket. Literary Analysis. 8vo-over 7¾"-9¾" tall. This book is in fine condition and appears unread. The dust jacket is in fine condition, is not price clipped, and is in new mylar.
Add this copy of The Impulse of Fantasy Literature to cart. $15.00, like new condition, Sold by Rob & June Edwards rated 4.0 out of 5 stars, ships from Salem, OR, UNITED STATES, published 1983 by Kent State.
Add this copy of The Impulse of Fantasy Literature to cart. $20.00, very good condition, Sold by Dave Wilhelm Books rated 5.0 out of 5 stars, ships from Evanston, IL, UNITED STATES, published 1983 by Kent State, 1983.
Add this copy of Impulse of Fantasy Literature to cart. $29.05, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1983 by Kent State Univ Pr.