This study argues the imaginary dialogue in Pasolini's La Divina Mimesis (1963-65), between two historical versions of the author and on the ground of Dante's Comedy , is a typical and recurrent structure in the work. From the civic poetry of the 1950's and 1960's, to the plays Calder�n and Pilade , to the pastiches of Trasumanar e organizzar , the poet's recourse to various forms of polyphonic discourse and address, like his protean play with genres and myths and his polemical attack on the �institutions�, ...
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This study argues the imaginary dialogue in Pasolini's La Divina Mimesis (1963-65), between two historical versions of the author and on the ground of Dante's Comedy , is a typical and recurrent structure in the work. From the civic poetry of the 1950's and 1960's, to the plays Calder�n and Pilade , to the pastiches of Trasumanar e organizzar , the poet's recourse to various forms of polyphonic discourse and address, like his protean play with genres and myths and his polemical attack on the �institutions�, aids in his continuous paraphrase of the compelling issues of his day.
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Add this copy of The Paraphrase of an Imaginary Dialogue: the Poetics to cart. $69.51, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1994 by Peter Lang Inc., International.
Edition:
1994, Peter Lang Inc., International Academic Publishers
