In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form. Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds ...
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In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form. Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as the key to understanding the central shaping force of drama. He highlights the Dionysian force of human emotion in the writer as the genesis for creative work and articulates its power to determine narrative outcomes and audience reaction. Walking on Fire contains writing exercises to open up playwrights to the emotional realities and challenges of their work. Additionally, each chapter offers case studies of traditional and nonlinear plays in the known canon that allow readers to evaluate the construction of these works and the authors' practices and intentions through an xamination of the emotional form embedded in the central characters' language, thoughts, and behaviors. The plays discussed include Henrik Ibsen's A Doll's House, William Shakespeare's Hamlet, Athol Fugard's "MASTER HAROLD". . .and the boys, Donald Margulies's The Loman Family Picnic, Harold Pinter's The Birthday Party, and Tony Kushner's Angels in America. Walking on Fire opens up new conversations about content and emotion for writers and offers exciting answers to the questions of why we make drama and why we connect to it. Linnell's userfriendly theory and passionate approach create a framework for understanding the links between the writer's work in creating the text, the text itself, and the audience's engagement.
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Add this copy of Walking on Fire: the Shaping Force of Emotion in to cart. $18.29, very good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2011 by Southern Illinois University Press.
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Very good. A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.
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Add this copy of Walking on Fire: the Shaping Force of Emotion in to cart. $22.95, good condition, Sold by Jenson Books Inc rated 5.0 out of 5 stars, ships from Logan, UT, UNITED STATES, published 2011 by Southern Illinois University Press.
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Good. Size: 6x0x9; This item shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact, but may have aesthetic issues such as small tears, bends, scratches, and scuffs. Spine may also show signs of wear. Pages may include some notes and highlighting. May include "From the library of" labels. Satisfaction Guaranteed.
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Add this copy of Walking on Fire: the Shaping Force of Emotion in to cart. $54.52, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2011 by Southern Illinois University P.