In this scholarly yet highly accessible work, Eva Hemmungs Wirt�n traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but ...
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In this scholarly yet highly accessible work, Eva Hemmungs Wirt�n traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational. No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirt�n takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter H�eg's bestseller Smilla's Sense of Snow, Wirt�n charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it.
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Add this copy of No Trespassing: Authorship, Intellectual Property to cart. $13.61, very good condition, Sold by ThriftBooks-Baltimore rated 4.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 2004 by University of Toronto Press.
Add this copy of No Trespassing: Authorship, Intellectual Property to cart. $23.56, good condition, Sold by BookHouse On-Line rated 5.0 out of 5 stars, ships from Minneapolis, MN, UNITED STATES, published 2015 by University of Toronto Press, Scholarly Publishing Division.
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Good+ Signed/inscribed by author to scholar Dr. Paula Rabionwitz on title page. Very good-paperback. Spine is uncreased, binding tight and sturdy; occasional, light pencil markings in text/margins. Light shelfwear, rubbing to edges of wraps. Previous owner's inscription on front endpaper. NOT an ex-library copy, NO remainder mark, NOT a book club. Ships from Dinkytown in Minneapolis, Minnesota.
Add this copy of No Trespassing: Authorship, Intellectual Property to cart. $25.79, like new condition, Sold by SellingTales rated 5.0 out of 5 stars, ships from Belvidere, NJ, UNITED STATES, published 2015 by University of Toronto Press, Sch.
Add this copy of No Trespassing: Authorship, Intellectual Property to cart. $35.50, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2004 by University of Toronto Press.
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Fine. Trade paperback (US). Glued binding. 238 p. Studies in Book and Print Culture. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
