When Sigmund Freud published The Interpretation of Dreams in 1900, he began the modern study of a phenomenon that has fascinated human beings for thousands of years. At the same time he opened a new realm, the unconscious mind, to filmmakers and artists who were inspired by his theories. This beautifully designed and lavishly illustrated book-written to commemorate the centenary of Freud's classic work-examines the shifting roles that dreams have played in twentieth-century art and science. Over the course of the twentieth ...
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When Sigmund Freud published The Interpretation of Dreams in 1900, he began the modern study of a phenomenon that has fascinated human beings for thousands of years. At the same time he opened a new realm, the unconscious mind, to filmmakers and artists who were inspired by his theories. This beautifully designed and lavishly illustrated book-written to commemorate the centenary of Freud's classic work-examines the shifting roles that dreams have played in twentieth-century art and science. Over the course of the twentieth century, as scientists have researched the psychology and physiology of dreams, artists from Odilon Redon and Joan Mir� to Jenny Holzer, Ingmar Bergman, and Laurie Anderson have produced dramatic images centered in the unconscious. An exploration of this artistic output, this volume features a hundred color and fifty black-and-white illustrations depicting work by a broad range of artists in painting, photography, sculpture, video, film, performance, dance, and other media. In her opening essay, Lynn Gamwell reviews the psychoanalytic understanding of dreams and explores the ways in which Freud's theories have been interpreted artistically. The next essay, by Ernest Hartmann, traces attempts to link somatic and psychological dimensions of dreaming and to discover parallels between these dimensions and creative thought. In the final essay, Donald Kuspit assesses the impact of the transition from the mystical outlook that human beings held in the nineteenth century to the twentieth-century scientific paradigm for the human mind. A century of dreamwork is captured in this stunning volume, which concludes with a "dream archive"-an illustrated catalogue raisonn� of approximately five hundred examples of twentieth-century art about dreams. Contributors: Lucy Daniels, Lucy Daniels Foundation, Raleigh, N.C.; Lynn Gamwell, State University of New York, Binghamton; Ernest Hartmann, M.D., Tufts University School of Medicine; Donald Kuspit, State University of New York, Stony Brook; August Ruhs, M.D., Universit�tsklinik f�r Tiefenpsychologie und Psychotherapie, Vienna
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Add this copy of Dreams 19002000: Science, Art, and the Unconscious Mind to cart. $2.74, good condition, Sold by Read&Dream rated 5.0 out of 5 stars, ships from SAINT LOUIS, MO, UNITED STATES, published 1999 by Cornell University Press.
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Very Good. Very Good Dust Jacket. 8vo-over 7¾"-9¾" tall. pp. 320. 376 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.
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