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The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult - Surette, Leon
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While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that Pound's editing of T.S. Eliot's The Waste Land was not motivated primarily by stylistic concerns, as has generally been contended by the New Critics, but by thematic considerations. In fact, it was precisely because Eliot knew Pound to be well informed about the occult ...

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The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult 1994, McGill-Queen's University Press

ISBN-13: 9780773512436

Trade paperback

The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult 1993, McGill-Queen's University Press

ISBN-13: 9780773509764

Hardcover