Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde. There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as ...
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Without doubt the most influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of "nonintention" and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde. There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Cage calls them "mesostics," a literary form generated by chance (in this case computerized I-Ching chance) operations. Using the computer as an oracle in conjunction with a large source text, he happens upon ideas, which produce more ideas. Chance, and not Cage, makes the choices and central decisions. Such a form is rooted, Cage tells us in his introduction, in the belief that "all answers answer all questions." Acting as a kind of counterpoint to the six texts here are transcripts (edited by Cage) of the provocative question-and-answer seminars that followed each presentation. Included with the book are two audiocassettes, one of Cage reading a mesostic (IV), allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. The illustrations consist of fifteen different chance-determined prints from a single negative by Robert Mahon of the first autograph page of Cage's Sixteen Dances (1951). I-VI is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds.
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Add this copy of I-VI (the Charles Eliot Norton Lectures, 1988-89) to cart. $17.67, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1990 by Harvard University Press.
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Very Good. No DJ. Book. 4to-over 9¾-12" tall. Unmarked, clean and solid copy. Minor shelf wear. Slight bit of soiling on front cover. No Priority or International Shipping.
Add this copy of I-VI (the Charles Eliot Norton Lectures, 1988-89) to cart. $45.50, good condition, Sold by Montclair Book Center rated 4.0 out of 5 stars, ships from Montclair, NJ, UNITED STATES, published 1990 by Harvard University Press.
Add this copy of I–VI (the Charles Eliot Norton Lectures) to cart. $60.64, good condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1990 by Harvard University Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1550grams, ISBN: 0674440072.
Add this copy of I-VI (the Charles Eliot Norton Lectures, 1988-89) to cart. $65.73, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Hialeah, FL, UNITED STATES, published 1990 by Harvard University Press.
Add this copy of I-VI (the Charles Eliot Norton Lectures, 1988-89) to cart. $119.33, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 1990 by Harvard University Press.