The materials studied in this volume extend from small pieces of evidence made to reveal Frankish influence on the beginnings of Bath Abbey to a post-Conquest gradual recognized as unique testimony to the pre-Conquest music of Christ Church, Canterbury. An arcane style of Latin poetry much in vogue in tenth-century England is given a full account; likewise an eleventh-century Canterbury copy of a large anthology of Latin poetry for classroom use is properly described. A discussion of the aesthetic principles governing the ...
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The materials studied in this volume extend from small pieces of evidence made to reveal Frankish influence on the beginnings of Bath Abbey to a post-Conquest gradual recognized as unique testimony to the pre-Conquest music of Christ Church, Canterbury. An arcane style of Latin poetry much in vogue in tenth-century England is given a full account; likewise an eleventh-century Canterbury copy of a large anthology of Latin poetry for classroom use is properly described. A discussion of the aesthetic principles governing the use of colour in Anglo-Saxon manuscript illumination raises artistic questions not usually considered separately. The corpus of known Anglo-Saxon moneyers is further rectified; late Anglo-Saxon metal-work is surveyed; two decades of post-Stenton debate about the Viking settlements are reviewed; a system of standardizing short titles for Old English texts is presented and there is the usual bibliography of the previous year's corpus of Anglo-Saxon studies.
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Add this copy of Anglo-Saxon England (Volume 4) to cart. $35.23, good condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1975 by Cambridge University Press.
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Seller's Description:
Volume 4. This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 650grams, ISBN: 0521208688.
