This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes �tudes (1837), and their reworking as Douzes �tudes d'ex�cution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the ...
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This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes �tudes (1837), and their reworking as Douzes �tudes d'ex�cution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.
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Add this copy of Virtuosity and the Musical Work: The Transcendental to cart. $45.61, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2007 by Cambridge University Press.
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Add this copy of Virtuosity and the Musical Work: the Transcendental to cart. $117.85, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2007 by Cambridge University Press.
