Crime series are prime time viewing. They are significant in understanding the rhetorics of crime and law enforcement in our society. Richard Sparkes explores the relations between watching "cop shows" (like "Hill St Blues", "Miami Vice", "Bulman" and "The Sweeney") and the extent and intensity of public fear and alarm about crime. He examines the arguments about the effects of television violence; analyses the prevalence of certain predominant images and kinds of story, and their appeal to the audience; and relates them to ...
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Crime series are prime time viewing. They are significant in understanding the rhetorics of crime and law enforcement in our society. Richard Sparkes explores the relations between watching "cop shows" (like "Hill St Blues", "Miami Vice", "Bulman" and "The Sweeney") and the extent and intensity of public fear and alarm about crime. He examines the arguments about the effects of television violence; analyses the prevalence of certain predominant images and kinds of story, and their appeal to the audience; and relates them to the wider social and political agenda. He draws upon and successfully interweaves social theory, social psychology, cultural and media studies, narrative theory and criminology in providing an important account of the meanings of crime and law enforcement in contemporary culture.
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Add this copy of Television and the Drama of Crime to cart. $34.27, poor condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1992 by Open University Press.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings In poor condition, suitable as a reading copy. No dust jacket. Back hinge split. Coffee stains on page 145. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 550grams, ISBN: 0335093280.