A Manual on Flower Painting in Oil Colours from Nature: With Instructions for Preliminary Practice; Also a Section on Flower Painting in Water Colours, Etc (Classic Reprint)
Excerpt from A Manual on Flower Painting in Oil Colours From Nature: With Instructions for Preliminary Practice; Also a Section on Flower Painting in Water Colours, Etc From the earliest times, and in the various countries where Art has flourished, painting flowers, as well as the study of them, has always formed a favourite occupation. All civilized communities appear to have vied with each other in their desire to attach deep significance to flowers. In Egypt, the lily of the Nile - the lotus - was a ...
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Excerpt from A Manual on Flower Painting in Oil Colours From Nature: With Instructions for Preliminary Practice; Also a Section on Flower Painting in Water Colours, Etc From the earliest times, and in the various countries where Art has flourished, painting flowers, as well as the study of them, has always formed a favourite occupation. All civilized communities appear to have vied with each other in their desire to attach deep significance to flowers. In Egypt, the lily of the Nile - the lotus - was a sacred symbol of the priest, and this flower, with the palm and papyrus, was interwoven with much of their religious worship, in the form of figurative decoration. The public buildings of the Egyptians were also richly adorned with these objects in a conventional manner, and at all times they seemed to be amongst the first materials in the minds of the Egyptian artist, or the priest, whether for the decoration of the palace, the Temple, or the tomb. Flowers also formed some of the chief materials mentioned in Biblical records, for the enrichment of the Temple and the shrines of worship. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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