The Story of the Films: As Told by Leaders of the Industry to the Students of the Graduate School of Business Administration, George F. Baker Foundation, Harvard University (Classic Reprint)
Excerpt from The Story of the Films: As Told by Leaders of the Industry to the Students of the Graduate School of Business Administration, George F. Baker Foundation, Harvard University The pictures are also more elastic than spoken plays, set in stationary backgrounds, can ever be. The scene may shift instantly from place to place, and back and forth in time, so that one picture comments on another in a sort of silent dialogue. It may change in scale and distance, now diminished, now prodigiously enlarged, now dissolved ...
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Excerpt from The Story of the Films: As Told by Leaders of the Industry to the Students of the Graduate School of Business Administration, George F. Baker Foundation, Harvard University The pictures are also more elastic than spoken plays, set in stationary backgrounds, can ever be. The scene may shift instantly from place to place, and back and forth in time, so that one picture comments on another in a sort of silent dialogue. It may change in scale and distance, now diminished, now prodigiously enlarged, now dissolved and disappearing, now blending into some thing far away. It may be dimmed or brightened, con fused or cleared, Whipped up, slowed down, turned this way and that, and shown from innumerable angles. The only limit of its depth is the horizon, of its height the sky. Obviously the photoplay has points of distinct superiority over the stage drama. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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