Kidnapped from her home in Senegal and sold as a slave in 1761, a young girl is purchased by the wealthy Wheatley family in Boston. Phillis Wheatley--as she comes to be known--has an eager mind and it leads her on an unusual path for a slave--she becomes America s first published black poet. Strong characterization and perceptive realism mark this thoughtful portrayal. --"Booklist""
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Kidnapped from her home in Senegal and sold as a slave in 1761, a young girl is purchased by the wealthy Wheatley family in Boston. Phillis Wheatley--as she comes to be known--has an eager mind and it leads her on an unusual path for a slave--she becomes America s first published black poet. Strong characterization and perceptive realism mark this thoughtful portrayal. --"Booklist""
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Add this copy of Hang a Thousand Trees With Ribbons: the Story of to cart. $0.99, good condition, Sold by More Than Words rated 4.0 out of 5 stars, ships from Waltham, MA, UNITED STATES, published 1996 by Harcourt Brace and Company.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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When I first saw the title of this book, I was very eager to read it. But after I completed it two days later, disgust had replaced my previous emotion. Ms. Rinaldi tells an intriguing and fascinating tale of the Black/African poet Phillis Wheatley who survived the Middle Passage and sugar coated enslavement. Yet, she creates a romantic longing that Phillis has for one of her captors, Nathaniel Wheatley. Yes, Ms. Rinaldi does point out the awkwardness Phillis felt in a white world, but she is morphing the emotions Phillis must have truly felt about being enslaved. People may blamethe emotions Phillis has in the book on Stockholm Syndrome, but that is thwarted by the clearly bitter tone of Ms. Wheatley in poems like "On Being Brought From Africa to America". Most of Rinaldi's book is historically accurate, yet there is a very fine line between historical fiction and deforming history.