Add this copy of Beauty and the Beasts: on Museums, Art, the Law, and to cart. $12.48, fair condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published by Smithsonian Institution Press.
Add this copy of Beauty and the Beasts: on Museums, Art, the Law, and to cart. $12.50, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1983 by Smithsonian Institution Press.
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!
Add this copy of Beauty and the Beasts: on Museums, Art, the Law and the to cart. $40.79, good condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1983 by Smithsonian Books.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 650grams, ISBN: 0874749581.
Add this copy of Beauty and the Beasts: on Museums, Art, the Law, and to cart. $44.40, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Hialeah, FL, UNITED STATES, published 1983 by Smithsonian Institution Press.
Add this copy of Beauty and the Beasts: on Museums, Art, the Law, and to cart. $45.00, good condition, Sold by Ground Zero Books, Ltd. rated 4.0 out of 5 stars, ships from Silver Spring, MD, UNITED STATES, published 1983 by Smithsonian Inst. Press.
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Seller's Description:
Good in fair jacket. 256 pages. Notes, DJ worn, soiled, and some tears. Signed by the author. The author has been deputy director of the Smithsonian's Hirshhorn Museum and Sculpture Garden and previously had been administrator of New York's Whitney Museum of American Art from 1967 to 1974. This insightful work discusses the ways in which the visual arts themsleves have become increasingly linked to legal considerations that affect the rights of artists and private collectors. A number of his reprinted essays have been updated with "afterwords. "
