Add this copy of The Rhetorical Feminine: Gender and Orient on the to cart. $23.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 1999 by Clarendon Press.
Add this copy of The Rhetorical Feminine: Gender and Orient on the to cart. $24.00, new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 1999 by Clarendon Press.
Add this copy of The Rhetorical Feminine: Gender and Orient on the to cart. $24.65, fair condition, Sold by Anybook rated 4.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1999 by Oxford Clarendon Press.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 550grams, ISBN: 0198186363.
Add this copy of The Rhetorical Feminine. Gender and Orient on the to cart. $41.22, like new condition, Sold by Paul Brown Books rated 4.0 out of 5 stars, ships from Ramsgate, UNITED KINGDOM, published 1999 by -Clarendon Press, 1999-.
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Seller's Description:
Oxford Modern Languages and Literature Monographs. First edition. x+332 pages with index. Cloth. Fine in fine dustjacket. The Rhetorical Feminine takes a fresh look at theatre-including the important new genre of opera-in early modern Germany. Central to this study is the relationship of the stage with ideas of order or social control. Early German school drama was designed to teach rhetoric to boys: a detail which has up to now been accepted by scholars without further questioning. This investigation focuses on how that rhetoric was used, with particular reference to ideas of the feminine and of the Islamic world. Both are constructed as the potentially threatening others of early modern patriarchal Christendom. In containing the threat, the stage becomes the controllable version of the early modern theatrum mundi. In opera, the dynamic of the text is supported by music. The author has found it necessary to cross the boundary of traditional literary scholarship by looking not only at the libretti, but also at the rhetoric of the score. The suggestion here is not that the construction of alterity is an isolated phenomenon in early modern Germany; men have always used their relative monopoly of the arts for self-definition. While feminist scholarship has tended to concentrate on the relevance of this for women, it has also pertained to non-Christians or 'the Orient', which is often portrayed as analogous with the feminine.
Add this copy of The Rhetorical Feminine: Gender and Orient on the to cart. $44.48, very good condition, Sold by Cambridge Rare Books rated 4.0 out of 5 stars, ships from Cambridge, Gloucestershire, UNITED KINGDOM, published 1999 by Clarendon Press.
Add this copy of The Rhetorical Feminine. Gender and Orient on the to cart. $53.71, like new condition, Sold by Paul Brown Books rated 4.0 out of 5 stars, ships from Ramsgate, UNITED KINGDOM, published 1999 by -Clarendon Press, 1999-.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Oxford Modern Languages and Literature Monographs. First edition. x+332 pages with index. Cloth. Fine in fine dustjacket. This volume takes a fresh look at theatre-including the important new genre of opera-in early modern Germany. Central to this study is the relationship of the stage with ideas of order or social control. Early German school drama was designed to teach rhetoric to boys: a detail which has up to now been accepted by scholars without further questioning. This investigation focuses on how that rhetoric was used, with particular reference to ideas of the feminine and of the Islamic world. Both are constructed as the potentially threatening others of early modern patriarchal Christendom. In containing the threat, the stage becomes the controllable version of the early modern theatrum mundi. In opera, the dynamic of the text is supported by music. The author has found it necessary to cross the boundary of traditional literary scholarship by looking not only at the libretti, but also at the rhetoric of the score. The suggestion here is not that the construction of alterity is an isolated phenomenon in early modern Germany; men have always used their relative monopoly of the arts for self-definition. While feminist scholarship has tended to concentrate on the relevance of this for women, it has also pertained to non-Christians or "the Orient", which is often portrayed as analogous with the feminine.
Add this copy of The Rhetorical Feminine: Gender and Orient on the to cart. $273.49, new condition, Sold by Booksplease rated 4.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 1999 by Clarendon Press.
