English Summary: Friedrich Holderlin founded his poetic of the "change of tones" on musical rules and he found his metaphors in music, from the hymn at the goddess of harmony to Hyperion's "resolution of the dissonances," from the "pure melodies"and "string playing" to the "blind singer," from "songs at night" to the "patriotic songs". The extraordinary fascination that his work exerted in the 20th century on composers of different geographical origins and aesthetic orientations led to a flood of musical settings for his ...
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English Summary: Friedrich Holderlin founded his poetic of the "change of tones" on musical rules and he found his metaphors in music, from the hymn at the goddess of harmony to Hyperion's "resolution of the dissonances," from the "pure melodies"and "string playing" to the "blind singer," from "songs at night" to the "patriotic songs". The extraordinary fascination that his work exerted in the 20th century on composers of different geographical origins and aesthetic orientations led to a flood of musical settings for his poems, dramatizations of his texts, instrumental works and many other forms of musical creativity. On this basis, the present volume- the result of a multi-year exchange among germanists, musicologists and philosophers- tries on the one hand to determine the musical basics of Holderlins work, on the other hand to determine the productive dialogue of the composers with the poet, thereby practicing forms of interdisciplinary dialogue. German Description: Das Werk Friedrich Holderlins beruht auf musikalischen Gesetzen; seine Poetik nennt er einen "Wechsel der Tone", seine Gedichte "Gesange"; Hyperion strebt nach der "Auflosung der Dissonanzen". Seine Dichtung wurde im 20. Jahrhundert fur Komponisten zu einem zentralen Bezugspunkt und stellte fur sie eine Zasur und das Symbol eines uberindividuellen Tendenzwechsels dar. Vernachlassigt wurden bis heute die poetologischen Grunde, die zu einer solchen Flut von Vertonungen fuhrten; selten hat man sich gefragt, warum Holderlins Dichtung solche Anziehungskraft auf Komponisten ausubt(e). Unter diesen Voraussetzungen werden im Band die musikalischen Elemente in Holderlins Dichtung und die musikalische 'Ubersetzung' seiner Dichtung bei den Komponisten untersucht. Der Band ist das Ergebnis der Tagung "Wechsel der Tone", die 2017 an der Fondazione Giorgio Cini in Venedig stattfand und eine enge Zusammenarbeit von Germanistik und Musikwissenschaft abbildet.
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As New with No dust jacket as issued. 3825369080. Text clean and tight; no dust jacket; in German; Beitrage Zur Neueren Literaturgeschichte, 390; 8vo 8"-9" tall; 308 pages.
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Fine. Text in German. Sewn binding. Cloth over boards. 240 p. Beitrage Zur Neueren Literaturgeschichte, 390. Language: german-In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of Wechsel Der Tone: Musikalische Elemente in Friedrich to cart. $91.93, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2020 by Universitaetsverlag Winter.
Add this copy of Wechsel Der Tone: Musikalische Elemente in Friedrich to cart. $101.15, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2020 by Universitatsverlag Winter.
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Seller's Description:
New. Text in German. Sewn binding. Cloth over boards. 240 p. Beitrage Zur Neueren Literaturgeschichte, 390. Language: german-In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
