Add this copy of Understanding Fiction (3rd Edition) to cart. $20.00, good condition, Sold by AmazingBooksPGH rated 5.0 out of 5 stars, ships from Pittsburgh, PA, UNITED STATES, published 1979 by Pearson.
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Seller's Description:
Good. Size: 6x1x8; Some folds to one corner of back cover and several late pages. Wear to spine edge. Interior entirely clean and tight. This edition has a white cover and has the appearance of a proof or teaching copy, but is not so identified.
Add this copy of Understanding Fiction (3rd Edition) to cart. $65.54, good condition, Sold by BookHolders rated 5.0 out of 5 stars, ships from Gambrills, MD, UNITED STATES, published 1979 by Pearson.
Add this copy of Understanding Fiction (3rd Edition) to cart. $72.85, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Hialeah, FL, UNITED STATES, published 1979 by Pearson.
Add this copy of Understanding Fiction [Hardcover] to cart. $128.97, good condition, Sold by Fables Books rated 4.0 out of 5 stars, ships from Goshen, IN, UNITED STATES, published 1946 by F. S. Crofts & Company.
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Seller's Description:
Good. 1943 copyright. Edition not stated. A former library book with all the expected stamps stickers and markings. Some shelf storage or usage wear present. The binding is tight and all pages are present. No dustjacket included as pictured. The pages appear unmarked. Pictures available upon request. Individually inspected by Scott. Thanks for supporting an independent bookseller!
Add this copy of Understanding Fiction (3rd Edition) to cart. $666.67, fair condition, Sold by Goodbooks rated 4.0 out of 5 stars, ships from Tontitown, AR, UNITED STATES, published 1979 by Pearson.
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Seller's Description:
Fair. This copy may contain significant wear including bending writing tears and or water damage. This book is a functional copy not necessarily a beautiful copy. Copy may have loose or missing pages and may not include access codes or CDs.
This book analyzes short stories structurally. This is the most important aspect of writing, and the one most writers fail at--especially contemporary writers, who either studied commercial fiction and believe Jack Bickham's or Syd Field's theories, or went to MFA programs and spent 6 years studying how to say nothing with style.
Its one failing is that many of the stories are boring, because they deliver a bare theme by itself, rather than (as I believe should usually be done) a theme that's conveyed by a story with a plot.
