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The title refers to the euphoric pleasures of motorcycle racing, a sport that is exploited to the breaking point in this film. Reckless racer Bill Williams and his cycle-designer buddy Steve Flagg come to blows over the lovely Carla Balenda (a blonde in this picture, a brunette in other films). This tenuous plot device is used as a framework for an endless flow of film clips shot at real-life racing events--crashes, hairbreadth rescues and all. Since this was made before The Wild One, the correlation between motorcycles ...

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