As more and more people are questioning the assumptions of present U.S. foreign policy they are reexamining the roots of these policies in the diplomacy of the Cold War. This scrutiny has made the origins of the Cold War the most controversial issue in American diplomatic history. Now a complete new dimension has been added to the debate by the charges leveled by Robert James Maddox in The New Left and the Origins of the Cold War. How did the Cold War begin? Who or what was responsible? Could it have been avoided? Was it a ...
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As more and more people are questioning the assumptions of present U.S. foreign policy they are reexamining the roots of these policies in the diplomacy of the Cold War. This scrutiny has made the origins of the Cold War the most controversial issue in American diplomatic history. Now a complete new dimension has been added to the debate by the charges leveled by Robert James Maddox in The New Left and the Origins of the Cold War. How did the Cold War begin? Who or what was responsible? Could it have been avoided? Was it a temporary condition created by a combination of individual personalities and historical factors, or did it represent the clash of fundamentally irreconcilable political systems? The orthodox explanation of the Cold War is that it was "the brave and essential response of free men to Communist aggression." A number of scholars more or less identified with the New Left have challenged the conventional explanation by asserting that the U.S. bears the major responsibility for its onset. One group of revisionists sees this as the result of a failure of statesmanship on the part of Truman and the advisors around him, the other that the Cold War was the inevitable result of the American system as it developed over the years. Their conclusions have often been challenged in matters of interpretation. Robert Maddox, however, believes that an examination of the manner in which new interpretations are reached should precede dialogues over the ideas themselves. Consequently he has examined seven of the most prominent New Left works: The Tragedy of American Diplomacy by William Appleman Williams; The Cold War and Its Origins by D. F. Fleming; Atomic Diplomacy by Gar Alperovitz; The Free World Colossus by David Horowitz; The Politics of War by Gabriel Kolko; Yalta by Diane Shaver Clemens; and Architects of Illusion by Lloyd C. Gardner. After detailed comparisons of the evidence they present with the sources from which it was taken, he concludes that these books are based on pervasive misuse of the source materials and fail to measure up to the most elementary standards of good scholarship. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Add this copy of The New Left & the Origins of the Cold War to cart. $6.96, fair condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 1974 by Princeton University Press.
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Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.
Add this copy of The New Left and the Origins of the Cold War to cart. $8.60, good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 1973 by Princeton University Press.
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Very Good in Good jacket. Size: 8x5x0; The binding is clean and tight with minor shelf wear. Light wear and soiling to edges of text block. Tanning on pastedowns & endpapers. Text is unmarked. Dj shelf worn with scuffs, creases, toning, light soiling, chipping & small tears in a mylar cover.
