In this new book, Arthur F. Marotti analyzes some of the rhetorical and imaginative means by which the Catholic minority and the Protestant majority defined themselves and their religious and political antagonists in early modern England. He considers Catholic writings that have been relatively neglected, as well as the discourse of anti-Catholicism. Straddling the boundary of history and literature, this study offers an intriguing cultural history that focuses on the ideologized fantasies and language found on both sides ...
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In this new book, Arthur F. Marotti analyzes some of the rhetorical and imaginative means by which the Catholic minority and the Protestant majority defined themselves and their religious and political antagonists in early modern England. He considers Catholic writings that have been relatively neglected, as well as the discourse of anti-Catholicism. Straddling the boundary of history and literature, this study offers an intriguing cultural history that focuses on the ideologized fantasies and language found on both sides of the early modern Christian religious divide. Marotti focuses on the period between the arrival of the first Jesuit missionaries in England in 1580 and the climax of ongoing religious conflict in the Restoration-era Popish Plot and the 1688 Glorious Revolution. In a series of thematically focused essays, he covers such issues as the relationship of print culture to the residual Catholic culture in Elizabethan England; recusant women, Jesuits and the cultural othering of Catholics, martyrdom accounts, the manuscript circulation of Catholic martyrdom accounts; polemically charged Catholic and Protestant narratives of conversion; and the depiction of Catholic plots or outrages and providential Protestant deliverances in the construction of Protestant English history and identity. This important and eagerly anticipated book makes a substantial contribution to our understanding of Catholicism and anti-Catholicism in the early modern period. It also points to a cultural dynamic in Anglo-American history that persisted far into the modern era.
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Add this copy of Religious Ideology and Cultural Fantasy: Catholic and to cart. $8.78, very good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 2005 by University of Notre Dame Press.
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Good. All pages and cover are intact. Possible minor highlighting and marginalia. Ships from an indie bookstore in NYC. Trade paperback (US). Glued binding. 320 p. Contains: Halftones, black & white.
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Fine. Trade paperback (US). Glued binding. 320 p. Contains: Halftones, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Good. 2005 University of Notre Dame Press (Notre Dame, Indiana), 6 1/4 x 9 1/4 inches tall black hardcover, no dust jacket, red lettering to spine, xii, 307 pp. Very slight soiling and rubbing to covers, with minor bumping to tips. Otherwise, a very good copy-clean, bright and unmarked. ~M~ [2.0P] Marotti analyzes some of the rhetorical and imaginative means by which the Catholic minority and the Protestant majority defined themselves and their religious and political antagonists in early modern England. He considers Catholic writings that have been relatively neglected, as well as the discourse of anti-Catholicism. Straddling the boundary of history and literature, this study offers an intriguing cultural history that focuses on the ideologized fantasies and language found on both sides of the early modern Christian religious divide. Marotti focuses on the period between the arrival of the first Jesuit missionaries in England in 1580 and the climax of ongoing religious conflict in the Restoration-era 'Popish Plot' and the 1688 'Glorious Revolution. ' In a series of thematically focused essays, he covers such issues as the relationship of print culture to the residual Catholic culture in Elizabethan England; recusant women, Jesuits and the cultural 'othering' of Catholics, martyrdom accounts, the manuscript circulation of Catholic martyrdom accounts; polemically charged Catholic and Protestant narratives of conversion; and the depiction of Catholic plots or outrages and providential Protestant deliverances in the construction of Protestant English history and identity.