In his characteristically sardonic liner notes to this compilation of his earliest recordings, Dave Van Ronk denies that he was ever a folksinger. While such a declaration may seem ludicrous on its face, Van Ronk's perspective contributes to an understanding of his musical approach. When he made these recordings for Folkways Records between 1959 and 1961, he was coming out of years of playing banjo and singing (unamplified) with a traditional jazz band; he turned to fingerpicking an acoustic guitar and singing the songs of ...
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In his characteristically sardonic liner notes to this compilation of his earliest recordings, Dave Van Ronk denies that he was ever a folksinger. While such a declaration may seem ludicrous on its face, Van Ronk's perspective contributes to an understanding of his musical approach. When he made these recordings for Folkways Records between 1959 and 1961, he was coming out of years of playing banjo and singing (unamplified) with a traditional jazz band; he turned to fingerpicking an acoustic guitar and singing the songs of old folk-blues musicians like Blind Boy Fuller, Blind Lemon Jefferson, and the Reverend Gary Davis as the "trad" fad gave way and the folk revival gained momentum in the late '50s. But he continued to play and sing hard, as if still trying to be heard over Dixieland arrangements. That sounded unusual to the more polite folk audiences of the time, in contrast to singers who played tame versions of traditional folk and blues tunes. But more than three decades later, it keeps Van Ronk's performances from sounding as dated as those of many of his peers do. Nobody worries much anymore about an articulate, urban white man trying to sound like an unlettered, rural black man, and these recordings have proven very influential. For example, it's possible to hear a good part of Hot Tuna's acoustic repertoire in the music Van Ronk was making here a decade earlier. If he was imitating the originators at the time, now he sounds like a master whose work has been emulated by the rock musicians who followed him (and who made a lot more money doing so than he ever did). ~ William Ruhlmann, Rovi
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Add this copy of Folkways Years 1959-61 to cart. $3.69, good condition, Sold by GW Spokane Books rated 4.0 out of 5 stars, ships from Spokane, WA, UNITED STATES, published 1992 by Smithsonian Folkways Recordings.
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Condition: GOOD-Disc(s) used with some wear from use. May include minor surface scratches on disc(s), wear to case which could include cracks, scratches, or stickers. Hub and case locks may be broken. Digital codes NOT guaranteed/may be redeemed. All orders ship via UPS Mail Innovations-MAY TAKE UP TO 10 BUSINESS DAYS from first scan to be delivered.
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Add this copy of Folkways Years 1959-61 to cart. $8.74, like new condition, Sold by North America Trader, LLC rated 1.0 out of 5 stars, ships from Old Bridge, NJ, UNITED STATES, published 1992 by Smithsonian Folkways Recordings.
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Fine. The case has no scratches or scuffing. The cover art, liner notes and inclusions are in perfect condition. The CD is unmarked, with no sign of wear. Tracking number issued for every order.
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Bloom/Melrose/Rymal; Davis; Handy/Koenig/Willia; McGhee; Traditional [1] New. New in new packaging. USA Orders only! Brand New product! please allow delivery times of 3-7 business days within the USA. US orders only please.
Add this copy of Dave Van Ronk: the Folkways Years, 1959-1961 to cart. $24.41, new condition, Sold by newtownvideo rated 4.0 out of 5 stars, ships from huntingdon valley, PA, UNITED STATES, published 1992 by Smithsonian Folkways.