"Reticent, shy, unfailingly modern, Ashbery is as unorthodox [as] any of the great twentieth-century creators: Breton, Stravinsky, Picasso," observed Jeremy Reed in Britain's "Poetry Review," "We are privileged to be around at a time when he is writing." "Flow Chart," a book-length poem that first appeared in 1991, might be Ashbery's greatest creation: a staggering and exuberant "torrent of invention [that] comes as close to an epic poem as our postmodern, nonlinear, deconstructed sensibilities will allow. . . ."
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"Reticent, shy, unfailingly modern, Ashbery is as unorthodox [as] any of the great twentieth-century creators: Breton, Stravinsky, Picasso," observed Jeremy Reed in Britain's "Poetry Review," "We are privileged to be around at a time when he is writing." "Flow Chart," a book-length poem that first appeared in 1991, might be Ashbery's greatest creation: a staggering and exuberant "torrent of invention [that] comes as close to an epic poem as our postmodern, nonlinear, deconstructed sensibilities will allow. . . ."
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