This book explores the world of American folk art collectors people who saw the beauty and value of the furnishings, implements, and itinerant portraits that mainstream America had hitherto relegated to attics, barns, and dust bins. Although pioneer collectors sought out and preserved objects that are today regarded as icons, little has been known of their motivations, aesthetics, or display techniques. Unlike the mainly white, professional, male collectors of furniture, silver, and other traditional decorative arts who ...
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This book explores the world of American folk art collectors people who saw the beauty and value of the furnishings, implements, and itinerant portraits that mainstream America had hitherto relegated to attics, barns, and dust bins. Although pioneer collectors sought out and preserved objects that are today regarded as icons, little has been known of their motivations, aesthetics, or display techniques. Unlike the mainly white, professional, male collectors of furniture, silver, and other traditional decorative arts who were the subject of Elizabeth Stillinger's classic study The Antiquers, the earliest folk art collectors were a bohemian crowd made up of women, artists, immigrants, oddballs, and outsiders. They were drawn to folk art not by its prestige value but by its artistic, instructive, and ethnological significance. A Kind of Archaeology begins by examining the evolution of the concept of folk art, relating it to nineteenth- and early twentieth-century movements such as romanticism, nationalism, arts and crafts, and colonial revivalism. Four sections follow, each presenting a category of collector-antiquarian and ethnologist, modernist, decorator and aesthete, and patriot and nationalist-and offering portraits of individual collectors and dealers. The book closes with the exhibition The Flowering of American Folk Art, 1776-1876, which opened in 1974. The show was so successful that prices shot skyward, and folk objects, after a century of being disregarded, misunderstood, then championed by a few enthusiasts and gradually accepted in a small segment of the art world, finally entered the realm of highly desirable and collectible art.
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Add this copy of A Kind of Archeology: Collecting American Folk Art, to cart. $6.26, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2011 by University of Massachusetts Pres.
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Add this copy of A Kind of Archeology: Collecting American Folk Art 1876 to cart. $29.40, new condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 3.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2011 by University of Massachusetts Press.
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New (wrapped in shrink wrap) Red cloth boards, pale green dust jacket with color illustrations and red lettering, xix, 441 pp., illustrations throughout, some in color. "This book explores the world of American folk art collectors people who saw the beauty and value of the folk-art portraits, weathervanes, and carvings that mainstream America had hitherto relegated to attics, barns, and dust bins. Although pioneer collectors sought out and preserved objects that are today regarded as icons, little has been known of their motivations, aesthetics, or display techniques. Unlike the mainly white, professional, male collectors of furniture, silver, and other traditional decorative arts who were the subject of Elizabeth Stillinger's classic study The Antiquers, the earliest folk art collectors were a bohemian crowd made up of women, artists, immigrants, oddballs, and outsiders. They were drawn to folk art not by its prestige value but by its artistic, instructive, and ethnological significance. A Kind of Archeology begins by examining the evolution of the concept of folk art, relating it to nineteenth-and early twentieth-century movements such as romanticism, nationalism, arts and crafts, and colonial revivalism. Four sections follow, each presenting a category of collector antiquarian and ethnologist, modernist, decorator and aesthete, and patriot and nationalist and offering portraits of individual collectors and dealers. The book closes with the exhibition The Flowering of American Folk Art, 1776-1876, which opened in 1974. The show was so successful that prices shot skyward, and folk objects, after a century of being disregarded, misunderstood, then championed by a few enthusiasts and gradually accepted in a small segment of the art world, finally entered the realm of highly desirable and collectible art."-website description.
Add this copy of A Kind of Archeology: Collecting American Folk Art, to cart. $33.00, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2011 by University of Massachusetts Pres.
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Very Good in Very Good jacket. Book Hardbound in dust jacket. 1st edition. Spine slightly cocked, otherwise very good. [ Heavy. Contact for overseas shipping quote. ]
Add this copy of A Kind of Archeology: Collecting American Folk Art, to cart. $73.50, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2011 by University of Massachusetts Pr.