Excerpt from A Course of Water-Colour Painting: With Twenty-Four Coloured Plates Sketching blocks are very convenient. They consist of a number of pieces of paper fastened together by their edges, and the whole mass attached to a piece of thick millboard, thus supplying the place of several sheets of drawing paper, ready stretched as on a drawing board. As. Each drawing is finished, it is removed by running the penknife round the edges, when another sheet ready for work is presented. Before giving any instructions as to ...
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Excerpt from A Course of Water-Colour Painting: With Twenty-Four Coloured Plates Sketching blocks are very convenient. They consist of a number of pieces of paper fastened together by their edges, and the whole mass attached to a piece of thick millboard, thus supplying the place of several sheets of drawing paper, ready stretched as on a drawing board. As. Each drawing is finished, it is removed by running the penknife round the edges, when another sheet ready for work is presented. Before giving any instructions as to the uses of colours, it is necessary to impress on the student that no amount of shading or colouring, however well done, will improve a bad drawing, whilst a good outline will often clearly represent the object without either shading or colour. The learner is therefore urged not to begin to colour until he has carefully examined and corrected the sketch. When about commencing to work in colour, see, in the first place, that the slab is perfectly free from dust. Drop some water on it from one of the larger brushes, but do not, on any account, dip the cake of colour into the water, for'by that means the edges become softened, and crumble off in rubbing. Rub the cake of colour firmly, but not too heavily, or you will not get your colour smooth. Be careful to hold the colour upright, so as to keep its edges at. When you have rubbed as much colour as you think will be wanted, do not at once put the cake back into the box, but place it on one of its edges to dry. Moist colours are sold either in. Metal tubes, in china pans, or are placed in compartments in japanned tin boxes. Each of these methods has its own special advantages, which the tastes or necessities of each student will soon discover. If the moist colours in compartments or pans are used, you must be careful, before closing your lesson, to wash off the surface of any colour you may have soiled, so that next time you dip in itthe colour may be pure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Add this copy of A Course of Water-Colour Painting: With Twenty-Four to cart. $17.99, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2018 by Forgotten Books.
Add this copy of A Course of Water-Colour Painting: With Twenty-Four to cart. $27.95, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2018 by Forgotten Books.
Add this copy of A Course of Water-Colour Painting: With Twenty-Four to cart. $54.45, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2018 by Forgotten Books.
