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Handel: Esther (1718 version) (1996)
performed by Anthony Robson (oboe), Lynda Russell (soprano), Mark Padmore (tenor), Matthew Vine (tenor), Michael Chance (alto), Michael George (bass), Nancy Argenta (soprano), Simon Berridge (tenor), Thomas Randle (tenor), The Sixteen (choir, chorus)
composed by George Frederick Handel -
English Choral Music, 1514-1682 (1998)
performed by Andrew Carwood (cantor), Andrew Carwood (tenor), Andrew Olleson (counter tenor), Matthew Vine (voices), Michael McCarthy (cantor), Paul Martin (voices), Robert MacDonald (bass), Robert MacDonald (cantor), Stephen Farr (organ), William Clements (bass)
composed by Gregorian Chant, Henry Purcell, John Blow, John Sheppard, John Taverner, Matthew Locke, Pelham Humfrey, Thomas Weelkes, William Byrd -
Music for Saint Katherine of Alexandria (2019)
performed by Binchois Consort, David Allsopp (alto), Dominic Bland (tenor), George Pooley (tenor), Matthew Vine (tenor), Nicholas Madden (tenor), Timothy Travers-Brown (alto), Andrew Kirkman (conductor)
composed by Anonymous, Byttering, Gregorian Chant, John Dunstable, Robert Driffelde, Sarum Chant, Walter Frye -
Handel: Samson (1997)
performed by Catherine Wyn-Rogers (alto), Jonathan Best (bass), Lynda Russell (soprano), Lynne Dawson (soprano), Mark Padmore (tenor), Matthew Vine (tenor), Michael George (bass), Thomas Randle (tenor), The Sixteen (choir, chorus), Symphony of Harmony & Invention
composed by George Frederick Handel -
Music for the 100 Years' War (2017)
performed by Binchois Consort, Dominic Bland (cantor), Dominic Bland (tenor), Dominic Bland (contratenor), George Pooley (tenor), James Hall (cantor), James Hall (treble), Matthew Vine (contratenor), Matthew Vine (tenor), Matthew Vine (cantor), Steven Harrold (tenor)
composed by Anonymous, Anonymous, English, Gregorian Chant, Johannes Alanus, John Dunstable, John Forest, Leonel Power, Plainchant -
Jacob Obrecht: Missa Sub Tuum Praesidium; Benedicamus in Laude; Salve Regina (2003)
performed by Carys Lane (soprano), Chris Watson (tenor), Edward Wickham (bass), Helen Neeves (soprano), Jonathan Arnold (bass), Lucy Ballard (alto), Matthew Vine (tenor), Robert MacDonald (bass), The Clerks' Group, William Missin (alto), Edward Wickham (conductor)
composed by Anonymous, Jacob Obrecht -
Heinrich Schütz: Musikalische Exequien (1998)
performed by Caroline Trevor (alto), Carolyn Sampson (soprano), Diana Moore (alto), Francis Steele (bass), James Gilchrist (tenor), Jonathan Arnold (bass), Jonathan Brown (bass), Libby Crabtree (soprano), Lisa Beckley (soprano), Matthew Vine (tenor)
composed by Heinrich Schütz -
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Tippett: Choral Works (1992)
performed by Andrew Carwood (tenor), Colin Lawson (clarinet), Edward Wickham (bass), Evelyn Nallen (recorder), Graham Ashton (trumpet), Jeremy Cornes (percussion), John Anderson (oboe), Martin Jones (piano), Martin Westlake (percussion), Matthew Vine (tenor)
composed by Michael Tippett -
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Handel: Esther (1718 version) (1996)
performed by Lynda Russell (soprano), Mark Padmore (tenor), Matthew Vine (tenor), Michael Chance (alto), Michael George (bass), Nancy Argenta (soprano), Simon Berridge (tenor), Thomas Randle (tenor), The Sixteen (choir, chorus), Orchestra of the Sixteen
composed by George Frederick Handel -
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Ockeghem: Requiem; Missa Fors Seulement (1997)
performed by Carys-Anne Lane (soprano), Edward Wickham (bass), Jonathan Arnold (bass), Matthew Vine (tenor), Rebecca Outram (soprano), Robert MacDonald (bass), Robin Blaze (vocals), Steven Harrold (tenor), The Clerks' Group, William Missin (vocals)
composed by Antoine Brumel, Johannes Ockeghem, Pierre de la Rue -
The Lily & the Rose (2018)
performed by Binchois Consort, Dominic Bland (tenor), Dominic Bland (cantor), Dominic Bland (vocals), Dominic Bland (contratenor), George Pooley (cantor), George Pooley (tenor), George Pooley (contratenor), George Pooley (vocals), James Hall (vocals)
composed by Anonymous, Gregorian Chant, Guillaume le Rouge, Johannes Bedyngham, John Cooke, John Dunstable, John Forest, John Fowler, John Plummer, Thomas Damett, Walter Frye
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