The House of Mirth (1905), by Edith Wharton, is the story of Lily Bart, a well-born, but penniless woman of the high society of New York City, who was raised and educated to become wife to a rich man, a hothouse flower for conspicuous consumption. As an unmarried woman with gambling debts and an uncertain future, Lily is destroyed by the society who created her. Written in the style of a novel of manners, The House of Mirth was the fourth novel by Edith Wharton (1862-1937), which tells the story of Lily Bart against the ...
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The House of Mirth (1905), by Edith Wharton, is the story of Lily Bart, a well-born, but penniless woman of the high society of New York City, who was raised and educated to become wife to a rich man, a hothouse flower for conspicuous consumption. As an unmarried woman with gambling debts and an uncertain future, Lily is destroyed by the society who created her. Written in the style of a novel of manners, The House of Mirth was the fourth novel by Edith Wharton (1862-1937), which tells the story of Lily Bart against the background of the high-society of upper class New York City of the 1890s; as a genre novel, The House of Mirth (1905) is an example of American literary naturalism. (wikipedia.org)
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Add this copy of The House of Mirth to cart. $17.13, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2016 by Bibliotech Press.
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Loved the outlay. Was very fascinating. Light and fun.
Jigglyman
Aug 1, 2008
Wonderful and tragic to a point
The House of Mirth is about the tragic fall from grace of a beautiful New York socialite, Lily Bart. The story chronicles her desperate search for a husband as society gradually rejects her. Edith Wharton writes a very revealing, critical study of high-class society in the Gilded Age that is fascinating in part because it is at once unfamiliar and very similar to modern-day society. Her characters are well-crafted, she writes very well, and the subject matter is very interesting, if not at some points a bit dry and superficial.
According to Aristotle, tragedy is about making "fatal choices," and it is Wharton's exploitation of this idea that makes the book falter. Lily Bart makes so many fatal choices it's hard not to choke on them. It seems like every page, she makes a choice that is obviously (to the reader) a bad idea. No woman can possibly be this daft so often. Her character is only falling from grace because Wharton so desperately wants her to. (Oh, and she never LEARNS!) The shoddy character development brings this book down to 4/5 stars.