First published in 1905, THE HOUSE OF MIRTH shocked the New York society it so deftly chronicles, portraying the moral, social and economic restraints on a woman who dared to claim the privileges of marriage without assuming the responsibilities. Lily Bart, beautiful, witty and sophisticated, is accepted by 'old money' and courted by the growing tribe of nouveaux riches. But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing and to ...
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First published in 1905, THE HOUSE OF MIRTH shocked the New York society it so deftly chronicles, portraying the moral, social and economic restraints on a woman who dared to claim the privileges of marriage without assuming the responsibilities. Lily Bart, beautiful, witty and sophisticated, is accepted by 'old money' and courted by the growing tribe of nouveaux riches. But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing and to maintain her in the luxury she has come to expect. Whilst many have sought her, something - fastidiousness or integrity- prevents her from making a 'suitable' match.
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Add this copy of The House of Mirth to cart. $12.08, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2017 by Createspace Independent Publishing Platform.
Loved the outlay. Was very fascinating. Light and fun.
Jigglyman
Aug 1, 2008
Wonderful and tragic to a point
The House of Mirth is about the tragic fall from grace of a beautiful New York socialite, Lily Bart. The story chronicles her desperate search for a husband as society gradually rejects her. Edith Wharton writes a very revealing, critical study of high-class society in the Gilded Age that is fascinating in part because it is at once unfamiliar and very similar to modern-day society. Her characters are well-crafted, she writes very well, and the subject matter is very interesting, if not at some points a bit dry and superficial.
According to Aristotle, tragedy is about making "fatal choices," and it is Wharton's exploitation of this idea that makes the book falter. Lily Bart makes so many fatal choices it's hard not to choke on them. It seems like every page, she makes a choice that is obviously (to the reader) a bad idea. No woman can possibly be this daft so often. Her character is only falling from grace because Wharton so desperately wants her to. (Oh, and she never LEARNS!) The shoddy character development brings this book down to 4/5 stars.
