The classic work by internationally acclaimed C�zanne scholar John Rewald C�zanne and America presents for the first time a full account of how the Paul C�zanne's reputation and influence became established in America between 1891 and 1921, and of how some of the world's largest collections of his works were formed in the United States. Recounted in John Rewald's characteristically urbane and masterly style, this is the fascinating story of enthusiastic young American artists who took up C�zanne's cause after they ...
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The classic work by internationally acclaimed C�zanne scholar John Rewald C�zanne and America presents for the first time a full account of how the Paul C�zanne's reputation and influence became established in America between 1891 and 1921, and of how some of the world's largest collections of his works were formed in the United States. Recounted in John Rewald's characteristically urbane and masterly style, this is the fascinating story of enthusiastic young American artists who took up C�zanne's cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work-Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others-many of whom made their first purchases from C�zanne's wily dealer Vollard or from the dealer Alfred Stieglitz in America, and of the beginning of the famous collection of Dr. Albert C. Barnes. Rewald discusses the exhibitions at which C�zanne's works were first shown and describes the outraged reactions of all but a few of the American critics. Several chapters are devoted to the important Armory Show of 1913. Throughout the text runs a compelling narrative in which all the actors revolve around the absent protagonist C�zanne. Each chapter is copiously illustrated, not only with C�zanne's works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers' ledgers, and C�zanne's own correspondence.
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G/G (some light soiling/edgewear to DJ; light foxing to upper block and wear to edges of boards) Brown cloth with gilt spine lettering, color illustrated, glossy dustjacket. 352 pp., 193 illustrations, 16 in color. "John Rewald, the internationally acclaimed Cezanne scholar, presents here for the first time a full account of how the artist's reputation and influence became established in America between 1891 and 1921, and of how some of the world's largest collections of Cezanne's works were formed in the United States."-dust jacket.
