Add this copy of Nathan Oliveira to cart. $24.95, good condition, Sold by Last Exit Books rated 4.0 out of 5 stars, ships from Charlottesville, VA, UNITED STATES, published 2002 by University of California Press.
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Seller's Description:
Very Good- Trade PB. 4to. Published by University of California Pr/San Jose Museum of Art, Berkeley, CA. 2002. Xxiv, 238 pages. Illustrated. Wrappers worn with some shelf-wear to the extremities present (wrappers lightly scuffed, rubbed and worn). Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Nathan Oliveira's (1928--2010) passion for continuing an inner-directed artistic tradition attached to the human subject persisted throughout his more than forty years as a painter and master printmaker. His art represents an ongoing dialogue with artists from Rembrandt to Goya to Munch, Beckmann, Giacometti, and de Kooning--whom he recognized for their insights into the human condition. The human touch, so often absent in contemporary work, is distinct in Oliveira's art. His paintings and monotypes bear the mark of his brush in the tactile quality of the paint and the unique printed surfaces of his monotypes. He lived and worked in the San Francisco Bay Area, where he was professor emeritus of art at Stanford University, Oliveira is widely regarded as a key figure in American art, and his paintings, monoprints, drawings, watercolors, and sculpture have attracted an international audience. This book is the most comprehensive study to date of Oliveira's career as artist and teacher. Generously illustrated with 172 images, more than 100 in color, and including valuable, previously unpublished biographical and bibliographical information, Nathan Oliveira accompanied the major traveling exhibition of the same name. E-380; 11 X 1.25 X 8.5 inches; 262 pages.
Add this copy of Nathan Oliveira to cart. $75.00, very good condition, Sold by Moe's Books rated 5.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 2002 by University of California Press.
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Very good in Very good jacket. Jacket is lightly creased on edges and at ends of spine, but text and images are clear and bright. Cover is in excellent condition. Binding is tight. Inside is clean and unmarked.
Add this copy of Nathan Oliveira to cart. $80.00, very good condition, Sold by ZENO'S rated 4.0 out of 5 stars, ships from San Francisco, CA, UNITED STATES, published 2002 by University of California Press.
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Berkeley. 2002. University Of California Press. 2nd Printing. Very Good in Dustjacket. 9780520230989. 238 pages. hardcover. keywords: Art America California. FROM THE PUBLISHER-Nathan Oliveira's passion for continuing an inner-directed artistic tradition attached to the human subject has persisted throughout his more than forty years as a painter and master printmaker. His art represents an ongoing dialogue with artists from Rembrandt to Goya to Munch, Beckmann, Giacometti, and de Kooning-whom he recognizes for their insights into the human condition. The human touch, so often absent in contemporary work, is distinct in Oliveira's art. His paintings and monotypes bear the mark of his brush in the tactile quality of the paint and the unique printed surfaces of his monotypes. Active in the San Francisco Bay Area, where he is professor emeritus of art at Stanford University, Oliveira is widely regarded as a key figure in American art, and his paintings, monoprints, drawings, watercolors, and sculpture have attracted an international audience. This book is the most comprehensive study to date of Oliveira's career as artist and teacher. Generously illustrated with 172 images, more than 100 in color, and including valuable, previously unpublished biographical and bibliographical information, Nathan Oliveira will accompany the major traveling exhibition of the same name. Peter Selz's authoritative text weaves key moments in Oliveira's professional life together with compelling readings of the paintings themselves. Selz, who curated the exhibition, succeeds brilliantly in establishing a sense of where Oliveira came from, what inspired him, and how he thought of himself as an artist. Selz discusses Oliveira's beginnings as the son of Portuguese immigrants, his early exposure to Bay Area artists, and his formative experience of studying with Max Beckmann. Selz also traces the artist's affinity to his older contemporaries, his search for an expressive relationship between form and space that found resonance in presentation of the single figure, and the exhibitions and collaborations that shaped his career. Susan Landauer's introduction provides an overview of the artist's work, while Joann Moser considers Oliveira's prints and drawings. Gary Carson's chronology, bibliography, and list of Oliveira's solo exhibitions complete this landmark publication, which fills an important gap in bringing Oliveira's powerful paintings and prints to the attention of a much larger public. inventory #36526.
Add this copy of Nathan Oliveira to cart. $105.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2002 by University of California Press.
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VG. lower corner creased & bumped; back cover corner creased. lower textblock fore-edge has scuffing/shelf-wear. cover flyleaf has handwriting. dustjacket has crease to upper spine edge; crease to lower corner. Black cloth, gilt letters on spine, black & color illus. dust jacket, 238 pp., 100+ color plates, 83 BW illus. Issued in conjunction with 2002-2003 exhibitions of works by American artist Nathan Oliveira (1928-2010). With additional essays by Susan Landauer and Joann Moser. Beautifully illustrated; clean & bright.
Add this copy of Nathan Oliveira to cart. $132.35, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2002 by University of California Press.
Add this copy of Nathan Oliveira to cart. $197.36, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 2002 by University of California Press.